In this sense, it was similar to such other early Mac graphic adventures as ICOM Simulations’s Deja Vu, although considerably less refined.

He created an adventure game called Enchanted Scepters, which combined vestiges of the text adventures that were popular on other platforms at the time with simple pictures, sounds, and mouse-driven interactions. He dropped out of university, moved back into his parents’ basement, and rededicated his life to making the Mac do amazing things. Like any number of other curious minds who hadn’t heretofore taken much interest in computers, he allowed all of his plans for his life to be utterly derailed by the encounter. He was weeks away from earning his master’s degree in that field from Vanderbilt University in the spring of 1984, when he saw an Apple Macintosh for the first time.

In the beginning, Appleton was all about empowering people to make stuff for themselves.Ī youthful overachiever from Oak Ridge, Tennessee, Appleton studied painting and philosophy at university before settling on economics. His early software oeuvre was the ironic polar opposite of interactive movies, those ultimate end-user products that seemed designed to convince the human being behind the monitor that she couldn’t possibly create anything like this. On the contrary, Appleton knew how to make innovative technology of his own, and had a lengthy resumé to prove it. And indeed, CyberFlix really was founded by folks convinced that the future of games would be a collision between Hollywood and Silicon Valley.īut the prime mover behind the operation, a 30-something Tennessean named Bill Appleton, wasn’t just another of the clueless bandwagon jumpers who were using off-the-shelf middleware packages like Macromedia Director to cobble together dodgy games where the video clips took center stage and the interactivity was an afterthought. Meanwhile the studio behind it was known as CyberFlix, a name which positively reeks of the era when equally misbegotten “interactive movies” were all the rage. At first glance, after all, it looks like just another of the lifeless multimedia Myst clones that were cluttering up store shelves in such quantities in the mid-1990s. It’s disarmingly easy to underestimate Titanic: Adventure Out of Time, by far the best-selling game in history about the doomed luxury liner.

Titanic video game cover